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Kitching in 2016. Alan Kitching RDI AGI Hon FRCA (born 1940) is a practitioner of letterpress typographic design and printmaking. Kitching exhibits and lectures across the globe, and is known for his expressive use of wood and metal letterforms in commissions and limited-edition prints.
The spaces created between and around strokes are called counters (also known as counterforms). These negative forms help to define the proportion, density, and rhythm of letterforms. The counter is an integral element in Western typography, however this concept may not apply universally to non-Western typographic traditions.
A 1969 Swiss poster in International Typographic Style A 1959 Swiss poster. The style emerged from a desire to represent information objectively, free from the influence of associated meaning. The International Typographic Style evolved as a modernist graphic movement that sought to convey messages clearly and in a universally straightforward ...
It just happened that the students picked up—and misinterpreted—a so-called 'Weingart style' and spread it around." [6] In 2014, the Museum of Design in Zurich presented a retrospective of Weingart’s work. Weingart: Typography was the first exhibition in Switzerland which featured his personal work as well as results from his teaching.
Specimens of typefaces designed by Zapf. Hermann Zapf (German: [ˈhɛʁman ˈtsapf]; 8 November 1918 – 4 June 2015) was a German type designer and calligrapher who lived in Darmstadt, Germany.
Much imitated was the Thorowgood "grotesque" face of the early 1830s. This was arrestingly bold and highly condensed, quite unlike the classical proportions of Caslon's design, but very suitable for poster typography and similar in aesthetic effect to the (generally wider) slab serif and "fat faces" of the period. It also added a lower-case.