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The original tagline read "It took God six days to create the Heavens and the Earth, and Monty Python just 90 minutes to screw it up" [10] (the length of The Meaning of Life proper is 90 minutes, but becomes 107 minutes as released with the "Short Subject Presentation", The Crimson Permanent Assurance).
Shine a Light is a 2008 concert film directed by Martin Scorsese documenting the Rolling Stones' 2006 Beacon Theatre performances during their A Bigger Bang Tour. [2] The film also includes archive footage from the band's career and makes use of digital cinematography for backstage sequences, the first time Scorsese used the technology in a film.
Lewis Brian Hopkin Jones (28 February 1942 – 3 July 1969) was an English musician and founder of the Rolling Stones. [1] Initially a slide guitarist, he went on to sing backing vocals and played a wide variety of instruments on Rolling Stones recordings and in concerts.
The Rolling Stones are an English rock band formed in London in 1962. Their first stable line-up included vocalist Mick Jagger, guitarist and vocalist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman and drummer Charlie Watts.
This is an accepted version of this page This is the latest accepted revision, reviewed on 23 February 2025. English rock band This article is about the band. For the magazine, see Rolling Stone. For other uses, see Rolling Stone (disambiguation). The Rolling Stones The Rolling Stones performing at Summerfest in Milwaukee in June 2015. Left to right: Charlie Watts, Ronnie Wood, Mick Jagger ...
Complex.com praised its "mystical, evocative lyrics" and ranked it 25th in its Top 50 Rolling Stones songs. [5] Rolling Stone ranked it 39th in its countdown of the band's top 100 songs, calling it "an early, vital result of the Stones turning to rock's deeper roots." [6] Classic Rock History critic Matthew Pollard rated "No Expectations" as ...
Unterberger calls "I Am Waiting" a "very strange but musically attractive effort" that is a "highlight" among early Rolling Stones album tracks. [5] Janovitz praises how the song combines Eastern thought that was popular in music during the mid-1960s with "broadening sonics and higher fidelity."
[3] Philippe Margotin and Jean-Michel Guesdon wrote, in The Rolling Stones All the Songs: The Story Behind Every Track, that "The Lantern" "is a song that deserves to be rediscovered, but it is important to get hold of the mono version, as the stereo version is a catastrophe, mixed by someone with tired ears. [5]