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Brazil inherited a highly traditional and stratified class structure from its colonial period with deep inequality. In recent decades, the emergence of a large middle class has contributed to increase social mobility and alleviating income disparity, but the situation remains grave. Brazil ranks 54th among world countries by Gini index. [148]
Brazilian mythology is a rich and diverse part of Brazilian folklore with cultural elements, comprising folk tales, traditions, characters, and beliefs. The category is representative of Brazil’s greater culture, being a melting pot of Iberic traditions brought by the Portuguese settlers, African traditions brought by Africans during the ...
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The interest in Afro-Brazilian culture is expressed by the many studies in the fields of sociology, anthropology, ethnology, music and linguistics, among others, focused on the expression and historical evolution of Afro-Brazilian culture. [7] Many Brazilian scholars, such as the lawyer Edison Carneiro, the coroner Nina Rodrigues, the writer ...
The Afro-Brazilian and Indigenous History and Culture Law (Law No. 11.645/2008) mandates the teaching of Afro-Brazilian and Indigenous History and Culture in Brazil. The law was enacted on 10 March 2008, amending Law No. 9.394 of 20 December 1996, as modified by Law No. 10.639 of 9 January 2003.
What Brazilian art then became was a mix of some important achievements of the Moderns, meaning freedom from the strict academic agenda, with more conventional traits, giving birth in the following generation to a moderate Modernism, best exemplified by painter Cândido Portinari, who was something like the official painter of the Brazilian ...
In 2007, the Federal Government of Brazil formally recognized the existence of so-called traditional populations (Presidential Decree 6040 of February 7), [1] expanding the recognition partially made in the 1988 Constitution (only indigenous and quilombola) to cover the following communities: caboclo; caiçara; extractive; jangadeiro; fisherman; riverside; tapper; in addition to indigenous and ...
Before first appearing on Broadway in 1939, she had a successful career in Brazil throughout the 1930s and was known as the "Queen of Samba". Yet after she gained international success in the United States, many Brazilians regarded her elaborate costume and performance as a caricature of Brazilian culture. [11]