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Anaglyph 3D is the stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different (usually chromatically opposite) colors, typically red and cyan. Anaglyph 3D images contain two differently filtered colored images, one for each eye.
2D to 3D video conversion (also called 2D to stereo 3D conversion and stereo conversion) is the process of transforming 2D ("flat") film to 3D form, which in almost all cases is stereo, so it is the process of creating imagery for each eye from one 2D image.
The illusion of depth and perspective is heightened by stereoscopy techniques; a combination of two images, most typically but not necessarily an anaglyph (color filtered stereo image). With common (red–cyan) 3D glasses, the viewer's vision is segregated so that each eye sees a different image. Phantograms can be created using drawn images ...
We'd say there's still something slightly amiss about using folding blue and red glasses to watch two-dimensional HD video in faux anaglyph 3D, but you can make the call for yourself by reading up ...
55 mm SVP dc-3D-80 cam (parallel & anaglyph, stills & video). 60 mm Vivitar 3D cam (only for anaglyph pictures). 65 mm Takara Tomy 3D ShotCam. 65 mm Kandao QooCam EGO 3D Camera. 75 mm Fujifilm W3 cam. 77 mm Fujifilm W1 cam. 88 mm Loreo 3D lens for digital cams. 140mm Cyclopital3D base extender for the JVC TD1 and Sony TD10.
Process reconfigures the typical anaglyph image to have less parallax. An alternative to the usual red and cyan filter system of anaglyph is ColorCode 3-D, a patented anaglyph system which was invented in order to present an anaglyph image in conjunction with the NTSC television standard, in which the red channel is often compromised. ColorCode ...