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Funeral of a Mummy on the Nile (also known as Funeral of a Mummy, French: Les Funérailles d'une momie) is an oil on canvas painting by American artist Frederick Arthur Bridgman. It was painted between 1876 and 1877 and is considered his most acclaimed painting. Since 1990, it has been exhibited in Louisville, Kentucky, at the Speed Art Museum.
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. Funeral coin is used for coins issued on the occasion of the death of a prominent person, mostly a ruling prince or a coin-lord. Funeral games are athletic competitions held in honor of a recently deceased person. [12]
Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder ...
It is usually placed immediately above or close to the actual burial vault or grave, although very occasionally the tomb is constructed within it. Sometimes the monument is a cenotaph, commemorating a person buried at another location. Once only the subject of antiquarian curiosity, church monuments are today recognised as works of funerary art.
Download as PDF; Printable version; ... Burial monuments and structures (25 C, 173 P) C. Cadaver tomb ... Pages in category "Funerary art"
Palmyrene funerary reliefs are almost 4000 busts on decorative slabs closing burial niches inside underground tombs, produced in Palmyra over three centuries from the middle of the first century BC. [ 1 ] [ 2 ] It is the largest corpus of portrait sculpture in the Roman world outside Rome [ 3 ] and the largest collection of funerary ...
Funerary masks were used throughout the Egyptian periods. Examples range from the gold masks of Tutankhamun and Psusennes I to the Roman "mummy portraits" from Hawara and the Fayum. Whether in a funerary or religious context, the purpose of a mask was the same: to transform the wearer from a mortal to a divine state. [3]
Early New England Puritan funerary art conveys a practical attitude towards 17th-century mortality; death was an ever-present reality of life, [1] and their funerary traditions and grave art provide a unique insight into their views on death. The minimalist decoration and lack of embellishment of the early headstone designs reflect the British ...