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Wu Guanzhong has had solo exhibitions in major art galleries and museums around the world, including China, Hong Kong, Singapore, Tokyo, Taipei, Korea, France, England and the USA. [ citation needed ] His paintings were exhibited at the British Museum in 1992; Wu was the first living Chinese artist to have an exhibition there.
In 2007, a canvas of his sold for US$6 million at Sotheby's [12] while in April 2011 his 1988 triptych oil work Forever Lasting Love, of half-naked figures in an arid landscape suffused with mystical symbols, sold for HK$79 million (US$10.1 million), a record auction price for a contemporary artwork from China, in Hong Kong.
Beijing Hanhai (Chinese: 北京翰海; pinyin: Běijīng Hànhǎi), officially the Beijing Hanhai Auction Co., Ltd, is an auction house located in Beijing.Established in 1994, after the Chinese government began allowing the auction of relics, it grew under the management of Qin Gong to become one of the country's largest auction houses by 2003.
pinyin Wade-Giles Traditional Chinese name Simplified Chinese name Dates Notes An Zhengwen: An Cheng-wen: 安正文: 安正文: Ming dynasty: Biān Jǐngzhāo: Pien Ching-chao
Chu Teh-Chun was born in 1920 in the town of Baitu in Xiao County, which was then in Jiangsu province but now part of Anhui province. [2] In 1935 he entered the National School of Fine Arts (now China Academy of Art) in Hangzhou, Zhejiang, graduating in 1941. [1]
In that Summer, he was also appointed as a lecturer in painting practice and theory classes in department of Chinese painting at Shanghai Academy of Fine Arts. He got to know Wu Changshuo, Wang Yiting, Huang Binhong, Wu Fuzhi, and Zhu Qizhan. His style approached Wu Changshuo, evolving from unrestrained to profound.
Wu Guanzheng (born 11 August 1938), also spelled as Wu Kuan-cheng is a former Chinese politician and one of the major leaders of the Chinese Communist Party during the administration of Hu Jintao. He served on the Politburo Standing Committee , the country's top ruling body, from 2002 to 2007.
The literal recordings of this legendary can be dated back to Jin Dynasty, during which Pei Yuan wrote in his essay Guangzhou Ji.' Taiping Yulan (The Northern Song Dynasty, in 983) also refers to the descriptions of 'Guangzhou Ji'—"On the Guangzhou court hall's beam, there are images of the five goats.