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  2. List of open-source codecs - Wikipedia

    en.wikipedia.org/wiki/List_of_open-source_codecs

    This is a listing of open-source codecs—that is, open-source software implementations of audio or video coding formats, audio codecs and video codecs respectively. Many of the codecs listed implement media formats that are restricted by patents and are hence not open formats.

  3. Comparison of video container formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video...

    .mov, .qt Apple Inc. 1991-12 Proprietary [17] Yes Yes Yes Yes Yes Yes Advanced Systems Format (ASF) .asf, .wmv [K] Microsoft: 1996-09 Royalties on codecs [L] Yes Yes Yes Yes [19] Yes Yes Audio Video Interleave (AVI) .avi Microsoft: 1992-11 Proprietary [20] Yes [M] Yes [N] Yes No Yes Needs alterations Material Exchange Format (MXF) .mxf SMPTE ...

  4. libavcodec - Wikipedia

    en.wikipedia.org/wiki/Libavcodec

    Free and open-source software portal; libavcodec is a free and open-source [4] library of codecs for encoding and decoding video and audio data. [5]libavcodec is an integral part of many open-source multimedia applications and frameworks.

  5. Media Player Classic - Wikipedia

    en.wikipedia.org/wiki/Media_Player_Classic

    The original Media Player Classic was created and maintained by a programmer named "Gabest" [5] who also created PCSX2 graphics plugin GSDX. It was developed as a closed-source application, but later relicensed as free software under the terms of the GPL-2.0-or-later license.

  6. List of codecs - Wikipedia

    en.wikipedia.org/wiki/List_of_codecs

    Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary.

  7. Comparison of video codecs - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_video_codecs

    The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.