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In Greek mythology, Silenus (/ s aɪ ˈ l iː n ə s /; Ancient Greek: Σειληνός, romanized: Seilēnós, IPA: [seːlɛːnós]) was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue ( thiasos ), and sometimes considerably older, in which case he may be referred to as a ...
Dionysus discovered that his old school master and foster father, Silenus, had gone missing. The old man had wandered away drunk, and was found by some peasants who carried him to their king Midas (alternatively, he passed out in Midas' rose garden). The king recognized him hospitably, feasting him for ten days and nights while Silenus ...
In Greek mythology, a satyr [a] (Ancient Greek: σάτυρος, romanized: sátyros, pronounced), also known as a silenus [b] or silenos (Ancient Greek: σειληνός, romanized: seilēnós [seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection.
Staphyle – one of the followers of Dionysus in the Indian War. Killed by Morrheus. [37] Sterope – one of the followers of Dionysus in the Indian War. Killed by Morrheus. [38] Terpsichore – a dancing maenad who followed Dionysus in the Indian War and drove away the Indian army with her dance. [38] Theope – one of the maenads who tried to ...
Articles relating to Silenus and his depictions. He was a companion and tutor to the wine god Dionysus . He is typically older than the satyrs of the Dionysian retinue ( thiasos ), and sometimes considerably older, in which case he may be referred to as a Papposilenus .
“The interpretation of the Greek God Dionysus makes us aware of the absurdity of violence between human beings,” read a tweet from the official X account of the Olympics.
Paris Olympics organizers issued an apology on Sunday after a scene depicting the Greek god Dionysus drew criticism for allegedly mocking Leonardo da Vinci's painting “The Last Supper,” which ...
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...