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The first commonly available increase in tape length resulted from a reduction in backing thickness from 1.5 to 1.0 mil (38 to 25 μm) resulting in a total thickness reduction from 42 to 35 μm (1.7 to 1.4 mils), which allowed 3,600 ft (1,100 m), 1,800 ft (550 m), and 900 ft (270 m) tapes to fit on ten-and-a-half-, seven-, and five-inch reels respectively.
Cassette tape, a two-spool tape cassette format for analog audio recording and playback and introduced in 1963 by Philips; DC-International, a format that was created by Grundig after Phillips had abandoned an earlier format that was being created alongside the Compact Cassette; 8-track tape, continuous loop tape system introduced in 1964
Recording onto a metal tape requires special high-flux magnetic heads and high-current amplifiers to drive them. [19] [79] Typical metal tape is characterized by remanence of 3000–3500 G and coercivity of 1100 Oe, thus its bias flux is set at 250% of Type I level.
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
The machine used steel tape that was 6 mm wide and 0.08 mm thick. It travelled at 5 feet per second and was able to record up to 20 minutes of audio. Although the tape was used by some organizations like the BBC , the quality was deemed not suitable for music recording so it was mainly used for dictation recording.
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music. [3] [4] [5]
The Digital Audio Stationary Head or DASH standard is a reel-to-reel, digital audio tape format introduced by Sony in early 1982 for high-quality multitrack studio recording and mastering, as an alternative to analog recording methods.
Different lengths of tape, and different positions for the tape on the drum head can cause different sounds. Use of multiple strips causes a heavier muffle. Taping a tissue or napkin to the rim of the drum, and letting it lay loose on the batter head. Again, different thicknesses and positions create different sounds.