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Henri Cartier-Bresson (French: [ɑ̃ʁi kaʁtje bʁɛsɔ̃]; 22 August 1908 – 3 August 2004) was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. [1]
Also featured are photographs by Henri Cartier-Bresson and Irving Penn, and much unpublished material. The film was shot in Super 16 over a 12-month period in Switzerland, Italy, France, and the Moors of England.
While working for the French Army's film and photography unit, Cartier-Bresson was caught by the Germans and became a prisoner of war in June 1940. In 1943, his third escape attempt was successful, and with the help of forged papers, he managed to flee to France.
Henri Cartier-Bresson, who worked on the film before beginning a long career as a photojournalist, called it "one of the summits of art and a premonition of everything that was to happen in the world." [51] Robert Altman said "The Rules of the Game taught me the rules of the game." [127]
Behind the Gare Saint-Lazare (1932). Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. [1] It is one of his best known and more critically acclaimed photographs and ...
Bresson may refer to: Alain Bresson (born 1949), French classicist; Robert Bresson (1901–1999), French film director; Henri Cartier-Bresson (1908–2004), French photographer; Bresson, Isère, a town in France
Martine Franck (2 April 1938 – 16 August 2012) was a British-Belgian documentary and portrait photographer.She was a member of Magnum Photos for over 32 years. Franck was the second wife of Henri Cartier-Bresson and co-founder and president of the Henri Cartier-Bresson Foundation.
Life Belongs to Us (French: La vie est à nous) is a 1936 documentary propaganda film commissioned and produced by the Communist Party of France.Parts of the film were taken from newsreels, and are mixed with new sketches about working people, peasants and intellectuals.