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The Epitaphios (icon representing the burial shroud of Christ) is visible on top of the Holy Table (altar table) through the open Holy Doors as a witness of the Resurrection. During Bright Week, the clergy, who would normally use the Deacons Doors to go in and out of the sanctuary, will always enter and exit through the Holy Doors
This was generally used only for small areas, usually details and highlights within the coloured parts of the painting. The name came from the habit of using seashells to hold mixed paint of all types when painting. "Gilded applied relief" was unburnished gold leaf applied by mordant gilding to a moulded relief surface of gesso or pastiglia ...
Remember that some decoration and details, using gilded effects, resembled or imitated more luxurious items covered with precious metals. The Altar frontal from Santa Maria in Taüll is part of a series of works discovered at the beginning of the twentieth century in the churches of the valley of Boí and is one of the items of highest quality ...
It is gilded and painted wood standing at 167 cm high. The width of the middle measures at 252 cm, while each shutter is 125 cm. [1] Open view of the right wing. In the center of the altarpiece is the Crucifixion scene, with the Adoration of the Magi and the Entombment on the left and right respectively. [6]
If the altar stands free in the choir, such that visitors can pass behind the main altar, both sides of the altarpiece can be covered with painting. The screen, retable or reredos are commonly decorated. Groups of statuary can also be placed on an altar. [6] A single church can furthermore house several altarpieces on side-altars in chapels.
While a reredos generally forms or covers the wall behind an altar, [2] a retable is placed either on the altar or immediately behind and attached to the altar. "Many altars have both a reredos and a retable." [3] But this distinction may not always be observed. The retable may have become part of the reredos when an altar was moved away from ...
In unofficial, colloquial Catholic use, the term "shrine" is a niche or alcove in churches, especially larger ones, used by parishioners when praying privately. They were formerly also called devotional altars, since before the Second Vatican Council they contained small side altars or bye-altars.
Gilded frame ready for burnishing with an agate stone tool Application of gold leaf to a reproduction of a 15th-century panel painting. Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [1] A gilded object is also described as "gilt".