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7-inch reel of 1 ⁄ 4-inch-wide (6.4 mm) recording tape, typical of non-professional use in the 1950s–70s. Studios generally used 10 1 ⁄ 2 inch reels on PET film backings. Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools, along with dedicated models expressly made for business dictation.
Label for 2.0 sound (stereo) In common usage, a "stereo" is a two-channel sound reproduction system, and a "stereo recording" is a two-channel recording. This is cause for much confusion, since five (or more)-channel home theater systems are not popularly described as "stereo", but instead as "surround". [clarification needed (see talk)]
The first machines used for 4-channel sound recording were analog reel-to-reel tape recorders. These were developed for use by audio engineers in professional studios during the 1950s in Germany by Telefunken and also by Ampex in the United States. Such machines appeared in some European electronic-music studios by 1954. [2]
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
DASH is capable of recording two channels of audio on a quarter-inch tape, and 24 or 48 tracks on 1 ⁄ 2-inch-wide (13 mm) tape [1] [2] [3] on open reels of up to 14 inches. The data is recorded on the tape linearly, [ 4 ] with a stationary recording head , [ 5 ] as opposed to the DAT format, where data is recorded helically with a rotating ...
The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity).