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A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.
The Digital Audio Stationary Head or DASH standard is a reel-to-reel, digital audio tape format introduced by Sony in early 1982 for high-quality multitrack studio recording and mastering, as an alternative to analog recording methods.
Most tape drives could support a maximum reel size of 10.5 inches (267 mm). A so-called mini-reel was common for smaller data sets, such as for software distribution. These were 7-inch (18 cm) reels, often with no fixed length—the tape was sized to fit the amount of data recorded on it as a cost-saving measure. [citation needed]
Nagra D – 4 channel PCM digital audio recorder. Instead of recording to the DAT format, the D used a digital reel-to-reel format using a helical scan head and 1/4" tape on 5" and 7" reels. The tape is identical to that used on Digital Audio Stationary Head machines such as the Sony PCM-3202 and Mitsubishi X-86 series.
[2]: 108 Professional digital recorders may record higher frequencies, while some consumer and telecommunications systems record a more restricted frequency range. Some analog tape manufacturers specify frequency responses up to 20 kHz, but these measurements may have been made at lower signal levels. [16]
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...