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The fashion at the time was to decorate large gardens with rockeries and grottoes and to form these from plain concrete. For further economy, formed hollow artificial boulders from his ferro-cement (French: "ciment et fer"). He also created small garden pavilions, shaping and carving the concrete surface to imitate the rustic wooden originals.
The rough texture of the face is created by running the concrete across a cast-iron face plate or by using a plaster mold taken from a cut stone block. [3] This process of texturing concrete block was streamlined by an inventor named Harmon S. Palmer who created a machine that combined the processes of texturing and forming the concrete blocks.
In the 1650s and '60s, as Amsterdam flourished as a hub of commerce and politics, Kalf perfected the pronk (display) still life to exhibit its prosperity. Using an arrangement of objects generally extremely similar to the ones in Still Life with a Chinese Porcelain Jar, depicted with a rich, velvety atmosphere and glistening light, Kalf captured his city's wealth for all to admire. [3]
Depending on the vase type being made, the clay being used would be settled in tanks to achieve different consistencies. [7] After obtaining the clay, the potter would use a wheel and do the vase in sections, usually in horizontal sections. [7] This process meant that each vase made was distinctive from the other vases.
Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
The "mallet" vase was a special favourite at Longquan, often with handles formed as animals or dragons. [20] Funerary vases, made in pairs, also often feature charmingly stylized animals, usually tigers and dragons, curled around the shoulders of the vessel. These were used in southern Chinese burial custom to store provisions for the afterlife ...