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The fashion at the time was to decorate large gardens with rockeries and grottoes and to form these from plain concrete. For further economy, formed hollow artificial boulders from his ferro-cement (French: "ciment et fer"). He also created small garden pavilions, shaping and carving the concrete surface to imitate the rustic wooden originals.
Detail of a Palissy still-life platter of c. 1550 (see below for the whole piece) Bernard Palissy (French pronunciation: [bɛʁnaʁ palisi]; c. 1510 – c. 1589) was a French Huguenot potter, hydraulics engineer and craftsman, famous for having struggled for sixteen years to imitate Chinese porcelain.
Illustration to Serlio, rusticated doorway of the type now called a Gibbs surround, 1537. Although rustication is known from a few buildings of Greek and Roman antiquity, for example Rome's Porta Maggiore, the method first became popular during the Renaissance, when the stone work of lower floors and sometimes entire facades of buildings were finished in this manner. [4]
A Roseville jardiniere in the Pinecone pattern. The Roseville Pottery Company was an American art pottery manufacturer in the 19th and 20th centuries. Along with Rookwood Pottery and Weller Pottery, it was one of the three major art potteries located in Ohio around the turn of the 20th century.
An epergne generally has a large central "bowl" or basket sitting on three to five feet. From this center "bowl" radiate branches supporting small baskets, dishes, or candleholders. [1] There may be between two and seven branches. Epergnes were traditionally made from silver, however from around the start of the 20th century, glass was also ...
Depending on the vase type being made, the clay being used would be settled in tanks to achieve different consistencies. [7] After obtaining the clay, the potter would use a wheel and do the vase in sections, usually in horizontal sections. [7] This process meant that each vase made was distinctive from the other vases.