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The cuíca (Portuguese pronunciation:) is a Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. Cuíca is Portuguese for the gray four-eyed opossum (Philander opossum) which is known for its high-pitched cry. The cuíca is frequently used in carnivals, [1] as well as often in samba music. The ...
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
Edison dos Santos Machado (January 31, 1934 - September 15, 1990) was a self-taught Brazilian drummer and composer. Through his creation of the samba no prato (samba on the cymbals) and his early recordings, he helped shape Brazilian samba and bossa nova. [1]
1.2.1 Neo Samba and Neo-Bossa Nova additions. 1.2.2 Andean styles (Peru, Bolivia, South Ecuador, Argentina, Chile) ... Trap drums; Abakua and Arar ...
Pages in category "Bossa nova drummers" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. B. Milton Banana;
It begins with a bossa nova drum groove in which a clave pattern is played as a rim click underneath a driving ride cymbal pattern. John Densmore appreciated the new bossa nova craze coming from Brazil at the time, and decided to use it in the song. [6] The track's musical style features influences from mambo music. [7]
The so-called "bossa nova clave" (or "Brazilian clave") is played on the snare rim of the drum kit in bossa nova. The pattern has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The pattern is shown below in 2/4, as it is written in Brazil.
Bossa nova stick pattern (Play ⓘ). The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2