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Bossa nova stick pattern (Play ⓘ). The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
It begins with a bossa nova drum groove in which a clave pattern is played as a rim click underneath a driving ride cymbal pattern. John Densmore appreciated the new bossa nova craze coming from Brazil at the time, and decided to use it in the song. [6] The track's musical style features influences from mambo music. [7]
Multiple authors note the song's sparse instrumentation that largely surrounds the bossa nova beats played by Millings and Graham. [16] [19] Heylin notes that the different drumming styles provide great contrast; Millings uses a simple "tribal beat" on his drum track in contrast to Graham, who performs a beat that "gives the song a calypso aura ...
The so-called "bossa nova clave" (or "Brazilian clave") is played on the snare rim of the drum kit in bossa nova. The pattern has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The pattern is shown below in 2/4, as it is written in Brazil.
1.2.1 Neo Samba and Neo-Bossa Nova additions. 1.2.2 Andean styles (Peru, Bolivia, South Ecuador ... (drum) Turtle Shells; La Marimba; Guatemalan & Salvadoran folklore ...
Sambass, drum 'n' bossa or drum 'n' sambass (a portmanteau of "samba" and "bass") is a regional subgenre of drum and bass music mostly native to Brazil, [1] which combines drum and bass rhythms with influences from Latin American music.
The CR-78's built-in rhythm sounds were a further development of those available on the earlier Roland Rhythm 33, 55 and 77 machines. The analog percussion voices consist of bass drum, snare drum, rim shot, hi-hat, cymbal, maracas, claves, cowbell, high bongo, low bongo, low conga, tambourine, guiro, and "metallic beat" (an accent that could be overlaid on the hi-hat voice).