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The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad , a modified version, the pakhawaj , is the primary percussion instrument.
Parts of the khol (mridanga) The khol is a drum with a hollow earthen body, with drumheads at both ends, one far smaller than the other. The drumheads are made of cow or goat skin, and are three-layered and treated with a circle of rice paste, glue, and iron known as syahi.
The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius.
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, [1] kendang of Maritime Southeast Asia and other South Asian double-headed drums. . Its older forms were made with c
When played for dancing, the Tumdah' player suspends the drum around his neck with a cord or leather strap. The Tumdah' falls within the larger category of double-headed hand-struck Indian drums, which have various names: Dholak, Nal, Mridangam. The player strikes the Tumdak' with full hand and fingers as required by the musical pattern.
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Mridangam. Venkateswara Rao was born in 1947, in the south Indian state of Andhra Pradesh in a family of musicians [3] to Rama Murthy and Mahalaxmi. [4] He started his music training at the age of 7 in vocals, violin and veena, apart from mridangam but, later, concentrated more on mridangam and trained under his uncle, Yella Somanna, a known mridangam guru, [5] who later adopted the young Rao. [4]
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