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Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include comping with jazz chord voicings (and in some cases walking bass lines) and blowing (improvising) over jazz chord progressions with jazz-style phrasing and ornaments. Comping refers to playing chords underneath a song's melody or another ...
Fender intended the Jazzmaster to represent a solid body alternative to the hollow body archtop guitars that were then ubiquitous among jazz guitarists. As the Telecaster and Stratocaster had done in other popular musical genres, Fender hoped to initiate a revolution in jazz guitar, at the expense of competitor Gibson .
The L5S was a unique high-end solid body, and once Gibson adorned it with super humbuckers, famous guitarists took notice, especially jazz and fusion virtuosos like Pat Martino and John McLaughlin. Additionally other players picked up the L5S such as Paul Simon and others including possibly Keith Richards at one time.
The Gibson L6-S is a solid body electric guitar. It was the descendant of the L5S jazz solid-body electric guitar.It was the same shape, very much like a wide Gibson Les Paul, but with a 24-fret neck, the first Gibson guitar to have this.
The guitar quickly gained a following, and soon other, more established guitar companies (such as Gibson, whose Les Paul model was introduced in 1952, and later Gretsch, Rickenbacker, and others) began working on wooden solid-body production models of their own. A Telecaster in "Paisley Red" (originally released during 1968–69) [26]
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.