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Mullard Circuits for Audio Amplifiers is a famous book by the Technical Services Department of Mullard Ltd, a British valve manufacturing company. First published in 1959 and then reprinted several times it contained a number of designs by Mullard engineers for high quality audio amplifiers, which were to be used by amateur constructors as well as by manufacturers as the basis for many ...
The key to understanding this efficiency without churning the actual numbers is that we have a 400-watt-capable amplifier but with the efficiency of a 100-watt amplifier. This is because the waveforms of music contain long periods under 100 watts and contain only brief bursts of up to 400 watts – in other words, the losses at 400 watts are ...
Some commercially manufactured one to two kilowatt linear amplifiers used in amateur radio still use vacuum tubes (valves) and can provide 10 to 20 times RF power amplification (10 to 13 dB). For example, a transmitter driving the input with 100 watts will be amplified to 2,000 watts (2 kW) output to the antenna.
Powered from +500 V power supply, the KT66 prototype delivered 20 Watts at no more than 0.1% distortion. [25] A less costly +425V power supply enabled 15 Watt output power at no more than 0.1% distortion; this arrangement became standard for the Williamson amplifier and defined its physical layout. [25]
According to the manufacturer, the NAD 3020 is a high voltage design that uses the same large powerful output transistors (2N3055 and MJ2955) that "other manufacturers employ in their '60-watt' amplifiers", enabling the amplifier to deliver power headroom for musical transients. [7]
An amplifier that is said to have a gain of 20 dB might have a voltage gain of 20 dB and an available power gain of much more than 20 dB (power ratio of 100)—yet actually deliver a much lower power gain if, for example, the input is from a 600 Ω microphone and the output connects to a 47 kΩ input socket for a power amplifier. In general ...