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Dove with an olive branch, Catacombs of Domitilla, Rome The symbolism of the dove in Christianity is first found in the Old Testament Book of Genesis in the story of Noah's Ark, "And the dove came in to him at eventide; and, lo, in her mouth an olive-leaf plucked off: so Noah knew that the waters were abated from off the earth".
The olive branch appears with a dove in early Christian art. The dove derives from the simile of the Holy Spirit in the Gospels and the olive branch from classical symbolism. The early Christians, according to Winckelmann, often allegorized peace on their sepulchers by the figure of a dove bearing an olive branch in its beak. [12]
Tertullian (c. 160 – c. 220) compared the dove, who "announced to the world the assuagement of divine wrath, when she had been sent out of the ark and returned with the olive branch, to the Holy Spirit who descends in baptism in the form of a dove that brings the peace of God, sent out from the heavens".
She is represented in art holding a dove and an olive branch, symbols of peace. Her official memorial in the General Roman Calendar is on July 9 in the universal Church except for Hawaii and some churches in the United States, where it is kept on January 24.
The sign of the dove is recorded in the Book of Mormon: 1 Nephi 11:27: abide upon him in the form of a dove. 2 Nephi 31:8 (Doctrine and Covenants 93:15): Holy Ghost descended upon him in the form of a dove. Book of Abraham, Facsimile 2, Fig. 7 is a sign of the Holy Ghost in the form of a dove.
The coat of arms of the Republic of Cyprus depicts a dove carrying an olive branch, symbolizing peace, over "1960", the year of Cypriot independence from British rule. The background is a copper-yellow colour; this symbolises the large deposits of copper ore on Cyprus (chiefly in the form of chalcopyrite, which is yellow in colour).
The dove also parallels the one that brought the olive branch to Noah after the deluge, as a symbol of peace. [ 5 ] The book of Acts describes the Holy Spirit descending on the apostles at Pentecost in the form of a wind and tongues of fire resting over the apostles' heads.
Two of Noah's daughters-in-law nurture the dove that has returned to the Ark bearing an olive branch. This is the second of Millais's paintings with biblical themes, following The Eve of the Deluge. Millais had some intention of producing a "pendant" painting titled The Dove's First Flight, but never did so. [2]