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The oratorio deals with the Last Judgment. Allegorical figures are the Göttliche Stimme (divine voice) and the vices of avarice, frivolity and arrogance. The godless, seeking lust for life, are juxtaposed to the godly, pursuing piety, humility and joy of life. They expect the judgement in deep despair or in joyful expectation. [3]
The Sibyllenbuch, or Book of the Sibyls, was a medieval poem which held prophecies concerning the fate of the Holy Roman Empire. The British Library ’s on-line Incunabula Short Title Catalogue dates the Sibyllenbuch fragment to "about 1452–53", making it older than any other example of European movable-type printing, including the c. 1454 ...
The central panel shows Jesus sitting in judgment on the world, while St Michael the Archangel weighs souls: he sends the damned towards Hell (the sinner in St. Michael's right-hand scale pan is a donor portrait of Tommaso Portinari); the left hand panel shows the saved being guided into heaven by St Peter and the angels.
The Last Judgment will occur after the resurrection of the dead, and "our 'mortal body' will come to life again." [25] The Catholic Church teaches that at the time of the Last Judgment Christ will come in His glory, and all the angels with him, and in his presence the truth of each one's deeds will be laid bare. Each person who has ever lived ...
Doom or "the Doom" was a specific term for the Last Judgement and first cited to c. 1200 by the OED ("doom", 6), a sense surviving in this artistic meaning and in phrases such as the "crack of doom" and the word "doomsday", the latter going back to Old English. The original OED in the late 19th century already described this sense of "doom" as ...
A Vision of the Last Judgement is a painting by William Blake that was designed in 1808 before becoming a lost artwork. The painting was to be shown in an 1810 exhibition with a detailed analysis added to a second edition of his Descriptive Catalogue. This plan was dropped after the exhibition was cancelled, and the painting disappeared.
Some of his well-known works include The Last Judgement Triptych (Klontzas) and The Last Judgment (Klontzas). The Vatican owns Triptych of the Just in Glory also created by Klontzas which also features the Last Judgment. [1] [2] [3] The Second Coming or the Last Judgement is a common theme in Christian Art. The event sometimes referred to as ...
The Beaune Altarpiece (or The Last Judgement) is a large polyptych c. 1443–1451 altarpiece by the Early Netherlandish artist Rogier van der Weyden, painted in oil on oak panels with parts later transferred to canvas. It consists of fifteen paintings on nine panels, of which six are painted on both sides.