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The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
The earliest recordings of Italian traditional music came in the 1920s, but they were rare until the establishment of the Centro Nazionale Studi di Musica Popolare at the National Academy of Santa Cecilia in Rome. The Center sponsored numerous song collection trips across the peninsula, especially to southern and central Italy.
Canzone napoletana (Italian: [kanˈtsoːne napoleˈtaːna]; Neapolitan: canzona napulitana [kanˈdzoːnə napuliˈtɑːnə]), sometimes referred to as Neapolitan song, is a generic term for a traditional form of music sung in the Neapolitan language, ordinarily for the male voice singing solo, although well represented by female soloists as well, and expressed in familiar genres such as the ...
In Italy, the music of Verdi and Puccini continued to dominate for a number of years. Even the realistic plots and more modern compositional techniques of the operas of Italian verismo, such as Mascagni's Cavalleria rusticana, did not greatly affect the extremely melodic nature of Italian music.
Italian popular music is musical output which is not usually considered academic or classical music but rather has its roots in the popular traditions, and it may be defined in two ways: it can either be defined in terms of the current geographical location of the Italian Republic with the exceptions of the Germanic South Tyrol and the eastern portion of Friuli-Venezia Giulia; alternatively ...
Naples has played an important and vibrant role over the centuries not just in the music of Italy, but in the general history of western European musical traditions.This influence extends from the early music conservatories in the 16th century through the music of Alessandro Scarlatti during the Baroque period and the comic operas of Pergolesi, Piccinni and, eventually, Rossini and Mozart.
The song was one of the most common songs during the Third Italian War of Independence (1866). [28] At the Capture of Rome on 20 September 1870, the last step in Italian unification, choirs sang it together with "La bella Gigogin" and the "Marcia Reale"; [35] [37] and "Il Canto degli Italiani" received bersaglieri fanfare. [38]
"Santa Lucia" (Italian: [ˈsanta luˈtʃiːa], Neapolitan: [ˈsandə luˈʃiːə]) is a traditional Neapolitan song. It was translated by Teodoro Cottrau (1827–1879) from Neapolitan into Italian and published by the Cottrau firm, as a barcarola, in Naples in 1849, during the first stage of the Italian unification. Significantly, it is the ...