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Dance is still used for this purpose by many cultures from the Brazilian rainforest to the Kalahari Desert. [2] An early manuscript describing dance is the Natya Shastra on which is based the modern interpretation of classical Indian dance (e.g. Bharathanatyam).
Lasya (Sanskrit: लास्य, romanized: Lāsya) is a female dance form that originated in India. [1] In Hindu mythology, Lasya refers to the dance innovated and performed by the goddess Parvati, described to be gentle and graceful. [2]
Mudras and postures of sculptures in ancient Indian temples are a mere depiction of spirituality (invoked spirit, the kundalini), which actually is supposed to occur in the person as a fruit of his practices. Shiva Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution.
Rooted in ancient tribal traditions, theyyam predates Hinduism while weaving in Hindu mythology. Each performance is both a theatrical spectacle and an act of devotion, transforming the performer ...
Performer at a Kannur district school dance festival, 2009. Mohiniyattam is an Indian classical dance form originating from the state of Kerala. [1] [2] The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm.
Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics. [62]
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.