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Medusa, for flute, clarinet, violin, cello, piano, percussion and electronics (1969: withdrawn) Verses for Ensembles, for 3 instrumental ensembles (1968–69) Some Petals from my Twickenham Herbarium, for piccolo, clarinet in Bb, glockenspiel, piano, violin and violoncello (1969) An Imaginary Landscape, for brass, percussion and double basses ...
Another form of theatre music is incidental music, which, as in radio, film and television, is used to accompany the action or to separate the scenes of a play. The physical embodiment of the music is called a score , which includes the music and, if there are lyrics, it also shows the lyrics.
Viola sonata – Sonata for solo viola, often accompanied by piano. Violin sonata – Sonata for solo violin, often accompanied by piano. Symphonic poem – Orchestral composition based on an extra-musical narrative, often a literary or pictorial idea. Symphony – Large-scale composition, typically for an orchestra and often in four movements.
Schubert's compositions for violin and piano; Two Serious Melodies; Six Studies in English Folk Song; Six Variations on "Hélas, j'ai perdu mon amant" Slavonic Dances; Souvenir d'un lieu cher; Spanish Dances; Suite italienne
Kruis was also an amateur violinist who studied the violin with Jan Pelikán, a member of the orchestra of the National Theatre in Prague. [1] They often played violin duets together. Dvořák, a viola player, heard them and got the idea to compose a new chamber work for two violins and viola in order to play with them. [1]
Aladdin, or the Wonderful Lamp (in Danish: Aladdin, eller Den forunderlige Lampe; typically shortened to just Aladdin), Op. 34 (FS 89; CNW 17), is theatre music for soloists, mixed choir, and orchestra written from 1917 to 1919 by the Danish composer Carl Nielsen to accompany the Danish playwright Adam Oehlenschläger's 1805 "dramatic fairy tale" ("dramatisk eventyr") of the same name.
Leçons d'Enfer music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor (1990–91) Madrigal I for clarinet (1958) Madrigal II for 4 early instruments (flute, violin, viola da gamba, harpsichord) (1961) Madrigal III for clarinet, violin, cello, 2 percussionists, and piano (1962)
Theatrical styles are influenced by their time and place, artistic and other social structures, and the individual styles of the particular artists. As theater is a mongrel art form, a production may or may not have stylistic integrity with regard to script, acting, direction, design, music, and venue.