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The waltz opens with rhythmic refrains taken from the trio in Ziehrer's polka Schneidig!, op. 387. The waltz is given its title from the original refrain of Girardi’s song Für Herz und Seel’ ist Ruh’ nur g’sund, ich lach (' For heart and soul rest is wholesome - I laugh '). 558 Kaiser Karl-Marsch: Emperor Karl March: march
In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
Swiss Miss, (1926) arrangement of a song from Lady, Be Good; Machinery Gone Mad, (1927) unpublished; Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name; Merry Andrew, (1928) arrangement of a dance piece from Rosalie; Three-Note Waltz, (1931) Also known as Melody #36. Unpublished. Piano Transcriptions of Eight ...
The work begins in C major, in a march-like tune ("Du kannst den Zigeunern getrost vertrau'n") before the "So voll Fröhlichkeit" first waltz section melodies enter. The first part of the second waltz section is the trio ("Ha, seht es winkt, es blinkt, es klingt"), which is followed by the second part ("Nun will ich des Lebens mich freuen") in G major.
Liebeslieder op. 114 is a waltz by Johann Strauss II written in 1852 (not to be confused with Brahms's similarly titled Liebeslieder Walzer and Neue Liebeslieder).At the time it was conceived, the waltz was titled 'Liebesgedichte' or "Love Poems" and during its first performance, it was even announced as 'Liebesständchen' or "Love Serenade".
The piece combines two different styles of music, the classical waltz and the rag, and has been seen as demonstrating Joplin's excellence as a classical composer. The work has been described as "an enchantingly beautiful piece that is among the greatest of Ragtime Waltzes", [1] a "masterpiece", [2] and "Joplin's finest waltz". [3]
Sergei Prokofiev composed and compiled his Waltz Suite, Op. 110, during the Soviet Union's post-Great Patriotic War period of 1946–1947.. In creating this work for the concert hall, the composer drew upon waltzes previously written for three of his most recent works for the stage and screen: the opera War and Peace (completed circa 1943–1944 but not yet premiered at that time); the ballet ...
Artist Title Year Country Chart entries 1: Doris Day: Que Sera, Sera (Whatever Will Be, Will Be) 1956: US: UK 1 – Jun 1956 (22 weeks), Flanders 1 – Dec 1956 (6 months), Radio Luxembourg sheet music 1 for 5 weeks – Sep 1956, Record Mirror 1 for 6 weeks – Aug 1956, Australia 1 for 8 weeks – Sep 1956, France 1 for 1 week – Jan 1957, Oscar in 1956 (film 'The Man Who Knew Too Much'), US ...