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Mouthpieces with a large, rounded chamber will produce a quite different sound from one with a small or square chamber. Parts of a woodwind mouthpiece. The distance between the tip of the mouthpiece and the tip of the reed is known as the tip opening. The tip opening has little effect on tone, which is more affected by the design of the ...
The 56 rue Lepic reeds (black packaging) are named after the address of the Vandoren central offices on 56 rue Lepic, Paris. They differ from the other two types of Vandoren reeds in that they come from the thickest cane. At the tip, 56 rue Lepic reeds have a thickness of .11 mm and at the heel, they have a thickness of 3.25 mm.
These reeds are roughly rectangular in shape and taper towards the thin tip, which is rounded to match the curve of the mouthpiece tip. All single reeds are shaped similarly but vary in size to fit each instrument's mouthpiece. Reeds designed for the same instrument look roughly identical, but vary in thickness ("hardness" or "strength").
The mouthpiece is where this lip vibration takes place. On most instruments, the mouthpiece can be detached from the main instrument in order to facilitate putting the instrument in its case, to use different mouthpieces with the same instrument, or to 'play' the mouthpiece by itself to exercise the player's embouchure.
It uses a slight rolling in of both lips and touching evenly all the way across. It also uses mouthpiece placement of about 40–50% top lip and 50–60% lower lip. The teeth will be about 1 ⁄ 4 to 1 ⁄ 2 inch (6 to 13 mm) apart and the teeth are parallel or the jaw slightly forward. There is relative mouthpiece pressure to the given air column.
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A double reed [1] is a type of reed used to produce sound in various wind instruments.In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other.
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