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The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, [2] and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, [3] with perfect fourths surrounding a third in the middle for the first ...
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
In later Baroque lutes, two upper courses are single. The courses are numbered sequentially, counting from the highest pitched, so that the chanterelle is the first course, the next pair of strings is the second course, etc. Thus an 8-course Renaissance lute usually has 15 strings, and a 13-course Baroque lute has 24.
The colascione (or calascione, Italian: [kolaˈʃʃoːne], French: colachon [kɔlaˈʃɔ̃], also sometimes known as liuto della giraffa meaning giraffe-lute, a reference to its long neck) is a plucked string instrument from the late Renaissance and early Baroque periods, [1] [2] [3] with a lute-like resonant body and a very long neck.
A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility. The specific character of a movement is often defined by wind instruments, such as oboe , oboe da caccia , oboe d'amore , flauto traverso , recorder , trumpet , horn , trombone , and timpani .
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body." [3] The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as ...
Lutes made by Laux Maler were highly prized by musicians in the seventeenth century. In April 1645 Constantijn Huygens tried to obtain a nine rib Laux Maler lute from Jacques Gaultier, a lutenist at the court of Charles I of England. Gaultier said there were only fifty extant, six in London, of medium size and not suitable to accompany a singer.
The angélique (French, from Italian angelica) is a plucked string instrument of the lute family of the baroque era. It combines features of the lute, the harp, and the theorbo. It shares the form of its pear-shaped body as well as its vibrating string length of 54 to 70 cm with the lute.