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A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. [1] An elevated pedestal or plinth that bears a statue, and which is raised from the substructure supporting it (typically roofs or corniches), is sometimes called an acropodium.
Ped- conveys multiple meanings, from different Latin and Ancient Greek root words: 'Relating to feet', in words (e.g. pedestrian, pedicure) derived from Latin pes, genitive pedis, 'foot', from the Proto-Indo-European stem *ped-with the same meaning.
Pedestal crater; Pedestal desk; Pedestal table, a table with a single central leg; Pedestal toilet for sitting, as opposed to squat toilet for squatting; Camera pedestal, a column with a steerable base used to mount a television camera; Telecommunications pedestal, a ground-level housing for a passive connection point for underground cables.
A mushroom rock, rock pedestal, or gour is a typical mushroom-shaped landform that is formed by the action of wind erosion. At an average height of two to three feet (0.6 to 0.9 m) from the base, the material-carrying capacity of the wind is at its maximum, so abrasion (erosion by wind in which transported materials hit an exposed rock surface ...
Above that, a balcony was placed on each side, framed by pillars. Bartholdi placed an observation platform near the top of the pedestal, above which the statue itself rises. [90] According to author Louis Auchincloss, the pedestal "craggily evokes the power of an ancient Europe over which rises the dominating figure of the Statue of Liberty". [89]
'dome pedestal'), drum or tambour is the upright part of a building on which a dome is raised. [1] It is generally in the shape of a cylinder or a polygonal prism. The name derives from the tholos, the Greek term for a round building with a roof and a circular wall. Another architectural meaning of "drum" is a circular section of a column shaft
Cabot's design is nearly identical to French's final pedestal design. Throughout the creation of The Minute Man, French sketched and built a variety of potential pedestals. [49] Beneath the pedestal is a copper time capsule from 1875 that contains items from past celebrations of the battle, maps, and photographs of both the sculpture and ...
"The New Colossus" was the first entry read at the exhibit's opening on November 2, 1883. It remained associated with the exhibit through a published catalog until the exhibit closed after the pedestal was fully funded in August 1885, [7] [8] but was forgotten and played no role