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Paper marbling. Endpaper from a book published in Scotland in 1842. Encyclopædia Britannica, 7th edition. Paper marbling is a method of aqueous surface design, which can produce patterns similar to smooth marble or other kinds of stone. [1] The patterns are the result of color floated on either plain water or a viscous solution known as size ...
In the 19th century, Paris green and similar arsenic pigments were often used on front and back covers, top, fore and bottom edges, title pages, book decorations, and in printed or manual colorations of illustrations of books. Since February 2024, several German libraries started to block public access to their stock of 19th century books to ...
In the 19th century, Paris green and similar arsenic pigments were often used on front and back covers, top, fore and bottom edges, title pages, book decorations, and in printed or manual colorations of illustrations of books. Since February 2024, several German libraries started to block public access to their stock of 19th century books to ...
94.8 cm × 74.8 cm (37.3 in × 29.4 in) Location. Hamburger Kunsthalle, Hamburg. Wanderer above the Sea of Fog[a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through ...
Edmund Evans. Edmund Evans (23 February 1826 – 21 August 1905) was an English wood-engraver and colour printer during the Victorian era. He specialized in full-colour printing, a technique which, in part because of his work, became popular in the mid-19th century.
A fore-edge painting is a scene painted on the edges of book pages. There are two basic forms, including paintings on fanned edges and closed edges. [1] For the first type, the book's leaves must be fanned, exposing the pages' edges for the picture to become visible. For the second, closed type, the image is visible only while the book is closed.
Cover of 1902-1906 American boy's magazine Brave and Bold printed with the chromoxylography colour printing method.. Chromoxylography (/ ˌ k r oʊ m oʊ z aɪ ˈ l ɒ ɡ r ə f i /) was a colour woodblock printing process, popular from the mid-19th to the early-20th century, commonly used to produce illustrations in children's books, serial pulp magazines, and cover art for yellow-back and ...
Ledger art flourished primarily from the 1860s to the 1920s. A revival of ledger art began in the 1960s and 1970s. The term comes from the accounting ledger books that were a common source of paper for Plains Indians during the late 19th century. Battle exploits were the most frequently represented themes in ledger art.