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Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
Statue of the Holy Son in Wolmyeongdong, South Korea; Statue of Jesus Christ at Buntu Burake Hill, South Sulawesi, Indonesia [4] Jesus Blessed Sibea-bea or more often referred to as the Statue of Jesus in Sibea-bea, Samosir, North Sumatra, Indonesia, a statue monument with a height of 61 meters. [5] Statue of Sacred Heart of Jesus in Merauke ...
Sacred Heart of Jesus (Indianapolis) Sacred Heart of Jesus statue (University of Notre Dame) Sagrat Cor de Jesus; Holy Infant of Atocha; Lord of the Chapel; Señor de las Tribulaciones; Señor de los Temblores; The Servant Christ; Statue of Lutgardis, Charles Bridge; Statue of Phillips Brooks; Statue of Saint Joseph, Charles Bridge
Built in 1922 by the Catholic Church, the Christ the Redeemer statue is inside the Tijuca National Park, a sprawling 3,953-hectare expanse of restored Atlantic Forest recognized as one of the ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Christ the Redeemer (Portuguese: Cristo Redentor, standard Brazilian Portuguese: [ˈkɾistu ʁedẽˈtoʁ]) is an Art Deco statue of Jesus in Rio de Janeiro, Brazil, created by French-Polish sculptor Paul Landowski and built by Brazilian engineer Heitor da Silva Costa, in collaboration with French engineer Albert Caquot.
An icon is a medium of communication, rather than a medium of art. Gazing at, an icon is intended to help draw the worshipper into the heavenly kingdom. As with all of Orthodox theology, the purpose is theosis (mystical union with God). [citation needed] Icons are venerated by the faithful by bowing and kissing them. Traditionally, the faithful ...
The icons do not depict the moment of the Resurrection, but show the Myrrhbearers, or the Harrowing of Hell. [15] Usually the resurrected Christ is rescuing Adam and Eve, and often other figures, symbolizing the salvation of humanity. [16] His posture is often very active, paralleling the Western depictions that show him climbing out of the tomb.