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DADGAD tuning. D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning (E 2 A 2 D 3 G 3 B 3 E 4) the six guitar strings are tuned, from low to high, D 2 A 2 D 3 G 3 A 3 D 4.
Al Petteway was an American guitarist known primarily for his acoustic fingerstyle work [1] both as a soloist and with well-known folk artists such as Amy White, Tom Paxton, Jethro Burns, Jonathan Edwards, Cheryl Wheeler, Debi Smith, Bonnie Rideout, Maggie Sansone and many others.
Staind also uses this tuning (but with the 2nd string tuned up 1/2 step to emulate a 7-string guitar), as well as several other modified variations of this, such as one in which the 5th string is also dropped from D# to C#. Periphery also uses this tuning on a 7-string guitar frequently (G#-D#-g#-C#-F#-A#-D#). Drop G – G-D-g-C-E-A
Folk baroque or baroque guitar is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment.
"5th Suite" tuning: C 2 G 2 D 3 G 3; Violoncello Europe Many scordatura tunings have been employed by various composers for individual pieces, for example: "Zoltán Kodály" tuning: B 1 F ♯ 2 D 3 A 3 "Whole step down" tuning: B ♭ 1 F 2 C 3 G 3. Celo: 4 strings celovic celloses ginga Croatia Serbia Slovenia This is the modern instrument ...
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The song was performed in DADGAD tuning. [2] [about the D,A,D,G,A,D tuning on "Poles Apart", a new tuning for David Gilmour] (...) the funny thing is that I didn't know it was such an established tuning -- I thought it was something new that I had invented. One day, I was on holiday in Greece and I had an acoustic guitar with me.