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Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks.
The helmet type is related to and probably a little earlier in date than the gold helmet in Bucharest which shows some Sarmatian aspects. Lacking evidence of comparable helmets in the Scythian homeland, we may assign this helmet to a local development of a helmet type found in Kuban dating in the early years of the fifth century B. C, with the ...
The team of archaeologists noticed that the helmet was not part of a gold treasure or grave but it was part of a local Geto-Dacian La Tène settlement. [5] Archaeologists concluded that the helmet was a stray find, as only a few late Hallstatt pottery fragments were found, some of them wheeled. [clarification needed] [citation needed]
Since the early 3rd century BC, the pilos helmet had become almost standard within the Spartan army, being in use by the Spartans until the end of the Classical era. [ citation needed ] Also, after the "Iphicratean reforms," peltasts became a much more common sight on the Greek battlefield, and themselves became more heavily armed.
La Tène metalwork in bronze, iron and gold, developing technologically out of Hallstatt culture, is stylistically characterized by inscribed and inlaid intricate spirals and interlace, on fine bronze vessels, helmets and shields, horse trappings, and elite jewelry, especially the neck rings called torcs and elaborate clasps called fibulae. It ...
Helmet Unique precious helmet of Prince Fyodor Mstislavsky, is made of damascene steel and gold in Ottoman Empire in the 16th century: In 1620 it was taken to tsar's treasury. The helmet is adorned with rubies and turquoises and has quotations from Koran. Jericho cap Jericho cap of Prince Fyodor Mstislavsky. Ottoman Empire, 1600s.
While most of the plume is a restoration, fragments of a leg, foot, shield and helmet were also found nearby. [2] The sculpture was part of a group, probably affixed to the sanctuary pediment. According to several scholars, it formed part of the memorial on the Spartan acropolis to honor Leonidas on his reburial. [3]
A gold color metal and enamel device 1 + 1 ⁄ 8 inches (2.9 cm) in height overall consisting of a shield blazoned: Per pale Sable and Gules with stylized folds Sanguine; in the first three lightning flashes conjoined and radiating from base point Or; in the second a stylized demi-Spartan shield of the like garnished Tenné and Bronze; overall a sword in pale Argent (Silver Gray) with hilt and ...