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Tecpatl (sacrificial knife), image based on the Codex Borgia. In Aztec mythology, the tecpatl was sometimes drawn as a simple flint blade, sharpened with some notches on the edge, in the Codex Borgia it appears red. [3] Tecpatl was associated with Northern cardinal point ., [4] the dark place of eternal stillness and rest of the dead.
However, she can also appear with clear butterfly or eagle attributes. Her wings are obsidian or tecpatl (flint) knife tipped. [5] (In the Manuscript of 1558, Itzpapalotl is described as having "blossomed into the white flint, and they took the white and wrapped it in a bundle.") She could appear in the form of a beautiful, seductive woman or ...
The reverse of folio 11 of the Codex Magliabechiano, showing the day signs Flint (knife), Rain, Flower, and Crocodile. The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period.
The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time. [ 5 ]
Aztec or Mixtec frog ornament necklace from the Metropolitan Museum of Art, 15-16th cent. Frogs are associated with the earth. Metal working in Mesoamerica, especially of silver, gold and copper was advanced by the time the Spanish arrived, mostly concentrated in the modern states of Michoacán, Oaxaca and Guerrero.
Chalchihuihtotolin is a symbol of powerful sorcery. Tezcatlipoca can tempt humans into self-destruction, but when he takes the form of a turkey he can also cleanse them of contamination, absolve them of guilt, and overcome their fate. In the tonalpohualli, Chalchihuihtotolin rules over day Tecpatl (Stone Knife) and over trecena 1-Atl (Water). [1]
Aztec warriors, each holding a mācuahuitl, as depicted in the Florentine Codex (Vol. IX). Mācuahuitl : A flat wooden staff or club with obsidian blades embedded in the edges. These weapons could be used to inflict either cutting wounds (with the obsidian blades) or to club an opponent unconscious (with the flat side).
The frontispiece of the Codex Fejéváry-Mayer, one of the more well-known images from Aztec codices, features a god circumscribed in the 20 trecena, or day symbols, of the Tōnalpōhualli. The exact identity of this god is unclear, but is most likely either Tezcatlipoca or Xiuhtecutli. The figure has yellow and black face paint, as is ...