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The "Billie Jean" music video, directed by Steve Barron, was the first video by a black artist to be aired in heavy rotation on MTV. Along with the other videos produced for Thriller , it helped establish MTV's cultural importance and make music videos an integral part of popular music marketing.
Steven Barron (born 4 May 1956) is an Irish-British filmmaker and music video director. Among the music videos he has directed are "Billie Jean" by Michael Jackson, "Summer of '69" and "Run to You" by Bryan Adams, "Money for Nothing" by Dire Straits, "Electric Avenue" and "I Don't Wanna Dance" by Eddy Grant, "Going Underground" by The Jam, "Don't You Want Me" by The Human League, "Baby Jane ...
List of music videos during the 1970s Title Year Other performer(s) credited Director(s) Description Ref(s) "Don't Stop 'Til You Get Enough" 1979 None Nick Saxton: The singer's first music video as a solo artist shows a smiling Jackson dancing and singing "Don't Stop 'Til You Get Enough" in a black and white tuxedo with a black bow tie while appearing chroma keyed over a background of abstract ...
“Billie Jean” may have been about “just a girl” who was not Michael Jackson’s lover, but the music video for the song has reached a historic milestone. Debuting on MTV in March 1983, the ...
Notable music videos included on the DVD were "Beat It", "Billie Jean" and Thriller—which received heavy rotation on MTV in the 1980s, and are credited as having transformed the music video from a promotional tool and into an art form, and "Black or White" which was also prominent on channels like MTV in the 1990s.
Jackson's sixth album, Thriller, was released in November 1982 and spent months at the top of the Billboard 200, backed by successful videos for the singles "Billie Jean" and "Beat It". In July 1983, after Thriller was displaced from the top of the chart, Jackson's manager, Frank DiLeo, suggested making a
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The "Billie Jean" music video debuted on March 10, 1983, on MTV. [74] It brought MTV—until then a fairly new and unknown music channel—to mainstream attention. It was one of the first videos by a black artist to be aired regularly by the channel, as the network's executives felt black music was not " rock " enough. [ 75 ]