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Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]
The term "organic architecture" was coined by Frank Lloyd Wright (1867–1959); it was a continuation of the principles of his master, Louis Sullivan, whose slogan "form follows function" became contemporary architecture's watchwords. Wright altered the statement to "form and function are one," citing nature as the clearest illustration of such ...
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
A shape is a two-dimensional design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional. [2] [4] In animation, shapes are used to give a character a distinct personality and features, with the animator manipulating the shapes to provide new life. [1]
The Tate Gallery's online glossary article on biomorphic form specifies that while these forms are abstract, they "refer to, or evoke, living forms...". The article goes on to list Joan Miró , Jean Arp , Henry Moore , and Barbara Hepworth as examples of artists whose work epitomises the use of biomorphic form.
Using the organic metaphor, the structure is seen to grow as a plant. [1] It stands in contrast to a mechanical form, a work which has been produced in accordance with artificial rules. The lack of rules in Shakespeare's works led some critics to claim that they lacked form; Samuel Taylor Coleridge leapt to his defence with the concept of ...
Forms can have regular shape (stable, usually with an axis or plane of symmetry, like a triangle or pyramid), or irregular; the latter can sometimes be constructed by combining multiple forms (additive forms, composition) or removing one form from another (subtractive forms). [1] Multiple forms can be organized in different ways: [1]
Large Two Forms (LH 566) is a 1966-1969 sculpture by Henry Moore. The monumental sculpture measures 365 cm × 610 cm × 400 cm (144 in × 240 in × 157 in). It comprises two large curving elements that almost meet. The organic shapes, each with oval openings, resemble two human pelvis bones, positioned as if