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The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
The Black Paintings are a series of 24 minimalism related works executed by the painter and sculptor Frank Stella (1936–2024) in the late 1950s and 1960 in what is seen as being a response to abstract expressionism. The series was executed between 1958 and 1960. [1]
Action, Gesture, Paint: Women Artists and Global Abstraction 1940–1970 was an art exhibition held at the Whitechapel Gallery from 9 February 2023 through 7 May 2023. [1] The exhibit presented 150 mid-century abstract paintings by 81 women artists. The show included artists from Asia, Europe, North America, and South America. [2] [3]
Sherald is a graduate of St. Anne-Pacelli Catholic School in Columbus. [17] She enrolled at Clark Atlanta University, where Sherald began college on the pre-med track her parents hoped for, but as a sophomore cross-registered for a painting class at Spelman College, which introduced Sherald to Panama-born artist and art historian Arturo Lindsay, whose work focuses on the African influence on ...
Traditional figure painting rarely depicts Black women, [7] and Mckinney sought to portray a Black woman in a classical setting. [3] Mckinney utilized photographs from websites, social media, and vintage magazines as the source material for her painting, one from which the model is drawn and several others for the setting.
Woman III is a 1953 painting by abstract expressionist painter Willem de Kooning. It is one of a series of six Women paintings done by de Kooning in the early 1950s, which were first exhibited at the Sidney Janis gallery in 1953. Woman III measures 68 by 48 + 1 ⁄ 2 inches (1.73 by 1.23 m) and was completed that same year.
Flack's photorealistic paintings were the first such paintings to be purchased for the Museum of Modern Art's permanent collection, and her legacy as a photorealist lives on to influence many American and International artists today. J. B. Speed Art Museum in Louisville, Kentucky, organized a retrospective of her work, and Flack's pioneering ...