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Queen Anne furniture is "somewhat smaller, lighter, and more comfortable than its predecessors," and examples in common use include "curving shapes, the cabriole leg, cushioned seats, wing-back chairs, and practical secretary desk-bookcase pieces."
Mission style is a design that emphasizes simple horizontal and vertical lines and flat panels that accentuate the grain of the wood (often oak, especially quartersawn white oak). People were looking for relief after the excesses of Victorian times and the influx of mass-produced furniture from the Industrial Revolution . [ 2 ]
In Britain, case furniture [b] in the William and Mary style tended to feature simple flat surfaces but exquisitely carved trim. [1] Provincial furniture-makers in Britain moved away from the woven cane seat, and developed the leather-covered wooden seat as a vernacular design. [3] Split spindles also came into use, first rurally and then in ...
Another distinctive style of Amish furniture is the Soap Hollow School, developed in Soap Hollow, Pennsylvania. These pieces are often brightly painted in red, gold, and black. Henry Lapp was a furniture maker based in Lancaster County, Pennsylvania, and it is his designs that most closely resemble the furniture we think of today as Amish-made ...
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
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The earliest furniture designers under Louis XV during the Regency included Claude III Audran, who had been responsible for furniture design under Louis XIV; Pierre Lepautre, who in 1699 became chief designer for Louis XIV, and Gilles-Marie Oppenordt, born in Holland, who became the furniture designer for the Regent.