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Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Psamtik III (Ancient Egyptian: ꜥnḫ-kꜣ-n-Rꜥ Psmṯk, pronounced Psamāṯək [1]), known by the Graeco-Romans as Psammetichus or Psammeticus (Ancient Greek: Ψαμμήτιχος), or Psammenitus (Ancient Greek: Ψαμμήνιτος), was the last Pharaoh of the Twenty-sixth Dynasty of Egypt from 526 BC to 525 BC.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Psammetichus or Psammeticus, latinizations of Psamtik or Psametek, may refer to:
Psamtik II (Ancient Egyptian: Nfr-jb-Rꜥ Psmṯk, pronounced Psamāṯăk [1]), known by the Graeco-Romans as Psammetichus or Psammeticus, was a king of the Saite-based Twenty-sixth Dynasty of Egypt (595 BC – 589 BC).
The Egyptian name psmṯk, pronounced as Psamāṯăk, [5] was a short form of pꜣ-sꜣ-n-mṯk, meaning "the man of Meṯek", with Meṯek presumably a deity. [6]His name was rendered by the Assyrians as Pishamilki (Neo-Assyrian Akkadian: 𒁹𒉿𒃻𒈨𒅋𒆠, romanized: Pišamilki [7]), by the Ancient Greeks as Psammētikhos (Ψαμμήτιχος), and by the Romans as Psammētichus.
For this reason, Spalinger believes that the aforementioned archaeological findings may rather belong to a subsequent ruler with the same name: the Athenian historian Philochorus reports that a Psammetichus (V) – who probably was a great-grandson of Psammetichus IV for likely being the son of Thannyros, himself son of Inaros II – shipped ...
Originally part of the comedy film What Scoundrels Men Are!, in which it was performed by Vittorio De Sica, it became a classic of Italian music and achieved considerable popularity worldwide. [ 1 ] [ 2 ] It was the first song recorded by Natalino Otto , and one of the first songs recorded by Luigi Tenco , who covered the song in English under ...