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Two Angels and a Sinner (Spanish:Dos ángeles y un pecador) is a 1945 Argentine fantasy comedy drama film of the classical era of Argentine cinema, directed by Luis César Amadori and starring Zully Moreno, Pedro López Lagar and Fanny Navarro. The film's sets were designed by art director Mario Vanarelli.
Cuando en el cielo pasen lista is a 1945 Argentine film directed by Carlos F. Borcosque during the classical era of Argentine cinema. [1] Cast. Narciso Ibáñez Menta;
Las tontas no van al cielo (Spanish pronunciation: [las ˈtontas no ˈβan al ˈsjelo], English title: Dumb Girls Don't Go to Heaven, Lit: Bimbos Don't Go to Heaven) is a Mexican telenovela produced by Rosy Ocampo for Televisa in 2008. [1]
A Florida man turned his creepy father over to the police after he allegedly found nearly 1,000 files of child pornography on his dad’s phone while fixing his Google account, which was locked ...
Como caído del cielo (As if Fallen from Heaven) is a Mexican comedy film directed by José Pepe Bojórquez, from a screenplay by Bojórquez and Alfredo Félix-Díaz, based on a play and screenplay by Toby Campion [2] [3] The film is inspired on the life of the Mexican popular singer Pedro Infante [4] but focuses more on Pedro Guadalupe Ramos (Omar Chaparro), an impersonator of Infante. [4]
A Place Near Heaven (Spanish: Un rincón cerca del cielo) is a 1952 Mexican comedy drama film directed by Rogelio A. González and starring Pedro Infante, Marga López and Andrés Soler. [1] It was shot at the San Angel Studios in Mexico City. The film's sets were designed by the art director Jorge Fernández.
Bajo el mismo cielo (English title: Under the Same Sky [1]), is an American telenovela created by Perla Farías for Telemundo. [ 2 ] [ 3 ] The telenovela is an adaptation of the 2011 American drama film A Better Life directed by Chris Weitz by the screenplay Eric Eason .
Fernando Morales in El País wrote that the movie just barely get a pass, despite the good casting. [1] Carlos Aguilar in his Guía del cine español praises the premise and the actor's performances but concludes that the film "lacks shape and rhythm".