Search results
Results From The WOW.Com Content Network
Rana Farhan, an Iranian jazz and blues singer living in New York, [7] combines classical Persian poetry with modern jazz and blues. [8] She has established a model to the jazz fusion project that she continues to incorporate in her work. Her best-known work, Drunk With Love, is based on a poem by prominent 13th-century Persian poet Rumi. [7]
1.3 Western classical / Persian symphonic. 2 Pop. Toggle Pop subsection. ... 6 Jazz. 7 Blues. 8 Film composers. 9 See also. ... Visual art history (Modern art ...
Ethno jazz, a form of ethno music, is sometimes equaled to world music or is regarded as its successor, particularly before the 1990s. An independent meaning of "ethno jazz" emerged around 1990. 1990s -> European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco ...
Viguen, Iran's "Sultan" of pop and jazz music. [20] [19] [18] Jazz music was introduced into Iran's popular music by the emergence of artists such as Viguen, who was known as Iran's "Sultan of Jazz". Viguen's first song, Moonlight, which was released in 1954, was an instant hit on the radio and is considered highly influential. [20] [19] [18]
Among the most awful trends in fashion history was '80s prep, and its most heinous offense was men — seemingly all named Blaire or Blaine — tying sweaters around their necks in prep schools ...
This is a list of notable Iranian singers that have entered the industry, currently working or have left the industry. ... (1930–2008) Giti Pashaei (1940–1995 ...
In the 1990s, officials of the new government decided to produce and promote "decent" pop music, in order to compete with the abroad and unofficial sources of Iranian music. Ali Moallem (poet) [ 8 ] and Fereydoun Shahbazian (musician) headed a council at the IRIB that supervised the revival of domestic pop music.
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities. [1