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No Devotion are a Welsh rock band formed in Pontypridd and Cardiff in 2014. The group is currently composed of American vocalist Geoff Rickly of the band Thursday , along with Stu Richardson and Lee Gaze , former members of the Welsh band Lostprophets .
Devotion, originally The Superbs, were a female group from New York. Formed in the 1960s, they are remembered for their 1970 hit "Dawning of Love". Background
L.T.D. (standing for Love, Togetherness, and Devotion), was formed in Greensboro, North Carolina, as Love Men Limited, in 1968. [2] They initially consisted of members Arthur "Lorenzo" Carnegie (alto, tenor saxes, flute, guitar), Jake Riley (), Carle Wayne Vickers (trumpet, flute, soprano sax), and Abraham "Onion" Miller (tenor sax, vocals) who had been working as members of the 15 piece ...
The Devotions are an American doo-wop group. [1] Their single of a novelty song called "Rip Van Winkle" was released in 1961 on Delta Records; the tune was re-released on Roulette Records in 1962 and again on Roulette in 1963. [2] The song became a hit on its third release, peaking as high as No. 36 on the Billboard Hot 100 in 1964. [3]
Ten City (derived from intensity) is an American, Chicago, Illinois-based R&B and house music act, that enjoyed a number of club hits and Urban radio hits in the late 1980s and early 1990s and was one of the first exponents of deep house.
Sheila and B. Devotion (also credited as "Sheila B. Devotion", "Sheila and the Black Devotion" or "S.B. Devotion") was a disco group fronted by French singer Sheila between 1977 and 1980. This formation briefly reached popularity in Europe and to a lesser extent in the US club circuit during the disco era.
Permanence is the debut studio album by rock band No Devotion. It was released on 25 September 2015 through Collect Records . It was reissued on 6 June 2022 through Velocity Records after the collapse of Collect Records .
Songs of Faith and Devotion was recorded over eight months in a rented villa in Madrid during 1992, as well as later sessions in Hamburg and London. [8] Following his work on U2's seventh studio album, Achtung Baby, producer Flood suggested the idea of building their own studio in a rented house where the band would live and work, the same process having yielded huge successes for U2.