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In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature , in which the note B natural is named H and the B flat named B , it forms Johann Sebastian Bach 's family name .
The prelude continues like so for 33 bars, with different harmony and changes of key.The coda begins at the 34th bar, where a sudden change of texture and tempo occurs. In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes.
The motif is a musical cryptogram, which represents the name of Carl Philipp Emanuel Bach with the initials of his name – Carl Philipp (Filippo) Emanuel Bach. The motif is based on the German note names, in which the note B ♮ is named H and B ♭ is named B, just as in the BACH motif. However, the initials of the composer’s name appear in ...
Unlike the typical sonata form, instead of a recapitulation, Bach uses a series of close strettos, the last of which contains subject statements from all four voices in bar 44. The episodes of the fugue are in a canonic texture, and in these episodes, the motif grows from six notes in bar 7 to eight notes in bar 16, to a two-octave descending ...
The most common musical cryptogram is the B-A-C-H motif, which was used by Johann Sebastian Bach himself, by his contemporaries and by many later composers. Other note names were derived by sound, for example E ♭, 'Es' in German, could represent 'S' and A ♭ the digraph 'As'.
In addition to CD and DVD recordings, the J.S. Bach-Stiftung operates a channel on YouTube, [2] where selected recordings (e.g., excerpts and including individual movements from cantatas). And, since August 2015 the foundation provides its own streaming media platform, from which the complete discography is obtainable.
Cover of 2nd piano arr. (S.529ii) first edition, published in 1855. Fantasie und Fuge über das Thema B-A-C-H (also in the first version known as Präludium und Fuge über das Motiv B-A-C-H), title in English: Fantasy and Fugue on the Theme B-A-C-H) (S.260i/ii [1st/2nd version], S.529i/ii [piano arrangement of 1st/2nd version]) is an organ fantasy on the BACH motif composed by Franz Liszt in ...
Polyphonic complex of three tetrachords from early sketch for Schoenberg's Suite for Piano, Op. 25. [1] The bottom being the BACH motif in retrograde: HCAB.. Arnold Schoenberg's Suite for Piano (German: Suite für Klavier), Op. 25, is a 12-tone piece for piano composed between 1921 and 1923.