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"The Circular Ruins" (Spanish: Las ruinas circulares) is a short story by Argentine author Jorge Luis Borges. First published in the literary journal Sur in December 1940, it was included in the 1941 collection The Garden of Forking Paths (Spanish: El jardín de senderos que se bifurcan) and the 1944 collection Ficciones.
From the uneven versions collected in Labyrinths to the more meticulous, but ultimately unsuccessful, editions published by Norman Thomas di Giovanni, from Ruth Simm's abominable apery of Other Inquisitions to Paul Bowles's illiterate rendition of The Circular Ruins, Borges in English must be read in spite of the translations. [5]
Borges often puts his protagonists in red enclosures. This has led to analysis of his stories from a Freudian viewpoint, [2] although Borges himself strongly disliked his work being interpreted in such a way. [3] In fact, he called psychoanalysis (Obra poética, Prólogo) "la triste mitología de nuestro tiempo", or "the sad mythology of our time".
Download as PDF; Printable version; ... Borges and I; C. The Circular Ruins; The Congress (short story) D. The Dead Man (short story) ...
This list follows the chronology of original (typically Spanish-language) publication in books, based in part on the rather comprehensive (but incomplete) bibliography online at the Borges Center (originally the J. L. Borges Center for Studies & Documentation at the University of Aarhus, then at the University of Iowa, now—as of 2010—at the University of Pittsburgh).
"The Garden of Forking Paths" (original Spanish title: "El jardín de senderos que se bifurcan") is a 1941 short story by Argentine writer and poet Jorge Luis Borges. It is the title story in the collection El jardín de senderos que se bifurcan (1941), which was republished in its entirety in Ficciones ( Fictions ) in 1944.
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The review of fictional books is a favorite device of Borges (see, for instance, his "pseudo-essay" "The Approach to Al-Mu'tasim" in Ficciones). The fictional essayist's vanity, affectation, and hypocrisy "gives the story a satirical coloration" and, along with the reactions of the misunderstanding and unappreciative public, serve to, by ...