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Johann Ludwig Heinrich Julius Schliemann (German: [ˈʃliːman]; 6 January 1822 – 26 December 1890) was a German businessman and an influential amateur archaeologist.He was an advocate of the historicity of places mentioned in the works of Homer and an archaeological excavator of Hisarlik, now presumed to be the site of Troy, along with the Mycenaean sites Mycenae and Tiryns.
The Heinrich Schliemann Museum is a cultural site in Ankershagen, in Mecklenburg-Vorpommern, Germany.It is a museum about the life and work of the businessman and amateur archaeologist Heinrich Schliemann (1822–1890), in the building, formerly a rectory, where Schliemann spent his childhood years.
Articles relating to the German businessman and amateur archaeologist Heinrich Schliemann (1822-1890) and his career. Pages in category "Heinrich Schliemann" The following 20 pages are in this category, out of 20 total.
Schliemann's Trench (sometimes referred to as Schliemann's Great Trench) [1] [2] is the name commonly given to a 17-metre-deep (56-foot) gash cut into the side of Hisarlik, Turkey, between 1871 and 1890 by Heinrich Schliemann in his quest to find the ruins of Troy. By digging this trench, Schliemann destroyed a large portion of the site.
Sophia Schliemann, born Sophia Engastromenou (Σοφία Εγκαστρωμένου) (12 January 1852 – 27 October 1932) was the Greek second wife of the businessman and amateur archaeologist Heinrich Schliemann. She is known for posing for a photo while draped in gold jewelry from the Treasure of Priam.
It was built between 1878 and 1880 for Heinrich Schliemann and the architect was Ernst Ziller. At the time of its completion, it was considered to be the most magnificent private residence of Athens. Its design was inspired by the Renaissance Revival movement as well as Neoclassicism, while the interior is influenced by the architecture of Pompeii.
Portrait of Heinrich Schliemann. The Mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. [6] Following his discoveries at the site, Schliemann notified King George of Greece. [7]
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.