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The Nashville sound was pioneered by staff at RCA Victor, Columbia Records and Decca Records in Nashville, Tennessee.RCA Victor manager, producer and musician Chet Atkins, and producers Steve Sholes, Owen Bradley and Bob Ferguson, and recording engineer Bill Porter invented the form by replacing elements of the popular honky tonk style (fiddles, steel guitar, nasal lead vocals) with "smooth ...
William Owen Bradley (October 21, 1915 [1] – January 7, 1998) [2] was an American musician, bandleader and record producer who, along with Chet Atkins, Bob Ferguson, Bill Porter, and Don Law, was a chief architect of the 1950s and 60s Nashville sound in country music and rockabilly.
The success of his song "On the Wings of a Dove" [5] enabled Ferguson to turn full-time to music. He became a senior producer with RCA Victor, where he helped create the Nashville Sound of the 1950s and 1960s. He served as executive assistant to Chet Atkins until his retirement.
The honky-tonk style of country music remained heavily popular during the decade, and the late 1950s gave rise to the Nashville sound. [6] Blues music was highly influential to popular music in the 1950s, having directly influenced rock & roll, and many blues and rhythm & blues artists found commercial success throughout the 1950s, such as Ray ...
By the late 1950s, the city's record labels dominated the country music genre with slick pop-country (Nashville sound), overtaking honky-tonk in the charts. Performers reacting against the Nashville sound formed their own scenes in Lubbock, Texas and Bakersfield, California , the latter of which ( Bakersfield sound ) became the most popular ...
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor.Originally known simply as the RCA Victor Studio, in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
Country music legends Buck Owens (left) and Merle Haggard perform together on Friday, June 16, 1995, for the first time in thirty years at a concert in Bakersfield, California, the town in which ...
By 1950, Martin was a part of the rising Nashville recording scene as a studio guitarist and fiddler, and his guitar hooks propelled Red Foley's "Chattanoogie Shoe Shine Boy" and "Birmingham Bounce". [3] In 1951, he signed with Decca Records with his own country-jazz band, Grady Martin and the Slew Foot Five. [7]