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F-holes in instruments from the violin family, archtop mandolins and in archtop guitars; C-holes in viola da gambas and occasionally double-basses and guitars; Rosettes in lutes and sometimes harpsichords; D-holes in bowed lyras. Some instruments come in more than one style (mandolins may have F-holes, round or oval holes). A round or oval hole ...
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
The quinton was an hybrid between the violin (structure of the body, f-shaped holes), and the viol (sloped shoulders, wider fingerboard with seven adjustable frets). The tuning of the five strings was intermediate between violin and viol: C, G, D', A', E" The pegbox ended either in a scroll, like violins, or in a carved head, like viols. It was ...
Among the changes that Loar introduced was the f-hole instead of a round or oval sound-hole, another violin-family feature imported to the mandolin. [8] He also "tuned" the tops of the instrument and the sound chamber (by removing bits of wood from sound bars and from the edges of the sound holes) so that the instrument's sound chamber was ...
Some of his first works are similar in style to “provincial” French making of the 18th century, with a long curved pegbox (similar to the style of Nicolas Augustin Chappuy [6]) and more angular f-holes. [7] A violin from the end of this period carries the paper label "Francois Perain a Paris" (pictured below).
From these plans a template is constructed, which can be made from thin metal or other materials, and is a flat "half-violin" shape. The template is used to construct a mould, which is a violin-shaped piece of wood, plywood, MDF or similar material approximately 12 mm or 1/2" thick. Edward Herron-Allen, in 1885, specified a "full mould" with ...
Gaetano Pollastri (1886–1960) was a professional violinist but after the first world war he devoted himself to violin making. He worked with the same company as his brother in via Castiglione, that was devoted to the construction, repair and commerce of string instruments.
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