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Women Friends (1916-1917) is a painting by Austrian symbolist painter Gustav Klimt. Alternatively known as The Friends , or Girlfriends II ( Freundinnen II ), among others, the work was destroyed by fire in 1945 alongside several other of Klimt's paintings in the burning of Schloss Immendorf .
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Moreover, women were encouraged to dress like men and go to work like men did, given that Mao called for a "gender erasure" in order to make "Chinese women in new China." [5] Similar to "Iron Girls," "Strong Women" images were popularized through mass media, such as cartoons and local newspapers. Their appearance was defined by masculinized ...
Conceptually, the female gaze is like the male gaze, the action by which women view men and women, and themselves, from the perspective of a heterosexual man. [13] The unequal social power of the male gaze is a conscious and subconscious effort to develop, establish, and maintain a sexual order of gender inequality in a patriarchal society.
Schiele's wife, Edith, served as the model for Seated Woman, which utilizes a limited color palette, empty background, and sharp, edgy lines. Like many of Schiele's other works, the piece employs a distinct style that subverts conventional representations of beauty and instead blends an ugly, distorted feeling with a sensual and erotic aesthetic.
A woman, thought to be the artist's mistress, stands behind him, but he does not look at her. [3] In The Eternal Feminine, by contrast, Cézanne places the woman in the center of the canvas, and she displays her body with no shame, unlike the woman in Courbet's painting, who holds a drape to partially cover her body.
To see a woman dressed in men's clothing was rare and made the statement of supporting the feminist movement, and many people knew of Dater's passionate belief of equal rights. Dater also photographed nude women, which was intended to show women's bodies as strong, powerful, and as a celebration.
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.