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With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
The first few measures of Beethoven's Piano Sonata in F minor are a classic example of a musical sentence. Arnold Schoenberg applied the term "sentence" to a very specific structural type distinct from the antecedent-consequent period. In a sentence's first part, a statement of a "basic motive" is followed by a "complementary repetition" (e.g ...
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
Styles of popular music that frequently employ non-lexical vocables include: A cappella (singing without instrumental accompaniment, sometimes accompanied by a chorus of nonsense syllables) Doo-wop (style of rhythm and blues music that often employs nonsense syllables) Scat singing influenced the development of doo-wop and hip hop.
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
In music, a caesura denotes a brief, silent pause, during which metrical time is not counted. Similar to a silent fermata, caesurae are located between notes or measures (before or over bar lines), rather than on notes or rests (as with a fermata). A fermata may be placed over a caesura to indicate a longer pause.
Ostinato basslines or riffs are common in rock music and in some types of jazz. An example is the bassline to "A Night in Tunisia". outside. In jazz, to improvise in an "outside" manner means to play solo arpeggios and scales that are harmonically distant from the chord being played by the rhythm section and which are thus more dissonant-sounding.
Although less common, musical quotations can be found in rock music, for example Barenaked Ladies "Hello City" quotes a stanza from The Housemartins' "Happy Hour". Sampling, a foundation of hip hop music, is the reuse of a portion (or sample) of a sound recording in another recording. [11]