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In the philosophy of art, an interpretation is an explanation of the meaning of a work of art. [ a ] An aesthetic interpretation expresses a particular emotional or experiential understanding most often used in reference to a poem or piece of literature, and may also apply to a work of visual art or performance.
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1]
An interpretation is a descriptive interpretation (also called a factual interpretation) if at least one of the undefined symbols of its formal system becomes, in the interpretation, the name of a physical object, or observable property. A descriptive interpretation is a type of interpretation used in science and logic to talk about empirical ...
Outline of aesthetics at the Indiana Philosophy Ontology Project; Outline of aesthetics at PhilPapers "Outline of aesthetics". Internet Encyclopedia of Philosophy.; Medieval Theories of Aesthetics article in the Internet Encyclopedia of Philosophy
Aesthetic emotions; Aesthetic interpretation; Aestheticization of politics; Apollonian and Dionysian; Appropriation (art) Art; Art and emotion; Art and morality; Art for art's sake; Art manifesto; Art world; The arts and politics; Artwork title; Auteur; Authenticity (philosophy) Avant-garde; Relationship between avant-garde art and American pop ...
Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings.
Aesthetic interpretation, an explanation of the meaning of a work of art; Allegorical interpretation, an approach that assumes a text should not be interpreted literally; Dramatic Interpretation, an event in speech and forensics competitions in which participants perform excerpts from plays
A further common substance to all works of art is related to the idea of means and ends. In aesthetic works and aesthetic experience, means and ends coalesce. Means are ends in the aesthetic. The non-aesthetic has a clear separation of means and ends: means are merely means, mechanical steps used solely to achieve the desired end. Dewey uses ...